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How to Build Effective CRM Tags for Segmented Lead Targeting

Posted: Mon Jan 27, 2025 6:55 am
by shishir.seoexpert1
Filming trials has always been problematic in France. Of course, in 1954, cameras and still cameras appeared in the images of the Dominici trial . But there was no sound of the proceedings. No long sequences of the exchanges during the trial. And a fortiori, no full recording of this resounding moment in criminal history. It is true that the technology at the time hardly allowed it. Looking at these documents, one can imagine a noisy disorder of the media struggling in the middle of the courtroom. The same thing happened for the Besnard trial, two years earlier.

However, the judiciary could not stand this "media gambling data philippines noise". A major criticism, it was detrimental to the serenity of the debates . 1954 was therefore the year of the ban. A law passed urgently prohibited " the use of any device allowing the recording, fixing, or transmission of speech or images ". It would take more than thirty years for the ban to be lifted.

Barbie, the image of justice, archive for history



When the Barbie trial opened in Lyon on May 11, 1987 , for the first time in its history, the French justice system allowed television to broadcast a hearing live. In fact, not entirely. Only the beginning was broadcast – about twenty minutes – but on an international scale, on the Eurovision channels. The former Nazi had given his agreement. A sine qua non condition, decreed by Robert Badinter, the Minister of Justice at the time who, as we know, had passed a law two years earlier on the creation of audiovisual archives of justice. Barbie had, however, refused the long-term recording of the exchanges. This was ignored. Since then, many trials have been recorded. From Touvier, Papon, Faurisson, to the Chilean dictatorship, via the AZF disaster in Toulouse, or the Rwandan genocide, the archives of these trials now exist .